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ILLUSTRATION

FROM SKETCH TO VECTOR

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Illustration is a key component of my portfolio. From initial sketches and conceptual drafts to coloured compositions, finalised logos and vector creations, my versatility in illustration is wide-ranging. I utilise illustration to explore ideas and gather feedback from users, and fuel my Design Thinking process for jewellery design and graphic projects alike.

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SKETCHING

Hand-drawn sketches are invaluable for swiftly conveying or testing ideas. Ensuring clarity and visual appeal is crucial for effective communication, so I often enhance my sketches in Photoshop, employing collage techniques and adding details like textures and materials.

COLOURING SKETCHES

I use various colour methods and especially enjoy digitally colouring my hand sketches in Photoshop, preserving their organic feel while refining ideas. I have found that this kind of illustration makes a great test material before finalising.

VECTOR ILLUSTRTIONS

Vector graphics offer a clean, precise aesthetic characterized by straight, uniform lines. I frequently use vectors for crafting icons, infographics, logos, and illustrations requiring clear communication in my graphic design. 

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CRIPS VISUAL STORYTELLING

UNMATCHED VERSATILITY AND SCALABILITY WITH VECTOR ILLUSTRATIONS

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3D VECTOR 

Creating 3D illustrations is an effective way to visualize three-dimensional concepts in a simple and stylistic way. Using Rhino and Illustrator, I craft light vector illustrations that can be utilized in various ways.

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COLLAGES

Crafting collages is an art form that requires both creativity and technical skill. Using Photoshop, I blend various images like photography, illustration, and digital art, to create interesting compositions that engage viewers or tell a story depending on what it should be used for.

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